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 Bird Feeder 1 (2022) Silicone, aluminium, wire, ink, mohair. Stand: Wood, lime. Dimensions Variable |
 Chrysalis (2022) Plaster, acrylic polymer, casein, pigments, coloured pencil, silicone, glass fibre, ink, aluminium wire. 96cm x 44cm x 15cm |
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 Bird Feeder 2 (2022) Silicone, aluminium, ink, hair Stand: Wood, lime. Dimensions Variable |
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 Landscape with head (2022) Plaster, acrylic polymer, casein, pigments, silicone, epoxy clay, glass fibre, ink, hair. 124cm x 142cm x 14cm |
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 Bird Feeder 3 (2022) Silicone, aluminium, ink, card, carbon fibre rod, gold leaf Stand: Wood, lime. Dimensions Variable |
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 Night Song (2018) Pigments, wool, resin, LED lights. 59 x 62 x 3.5cm |
 Electricity (2018) Pigments, wool, resin. 61 x 65 x 3.5cm |
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| Garden (2018)
Fabric, resin, pigments, preserved organic material. 73 x 55 x 4cm |
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 Moon bed, static (2018) Pigments, glass, resin, fibreglass. 120 x 113 x 20cm |
 Old (2018) Wool, nails. 52 x 53cm |
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 Moon bed (2018) Pigments, glass, resin, fibreglass. 120 x 113 x 20cm |
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 Ghost (2018) Nylon reinforced clay. 19 x 8.5 x 4cm |
 The Pet Cemetery by Ned Beauman, written in response to Poupak Sarah Shoughi’s exhibition at Her Gallery in the summer of 2018. |